
(Photo provided by BIGHIT MUSIC)
- Million-seller in just 10 minutes, previous initial chodong record surpassed on release day
- Symbolism of Gwanghwamun stage immediately reflected in sales figures
BTS’s 5th full-length album ‘ARIRANG’ recorded overwhelming sales immediately upon release, quantitatively proving the impact of their full-group return.
According to Hanteo Chart, the world’s only real-time music chart operated by Hanteo Global (CEO Kwak Young-ho), BTS’s ‘ARIRANG’, released on the 20th, sold 3.98 million copies on its first day, topping the daily chart.
It also surpassed 1 million copies in just about 10 minutes, achieving million-seller status and drawing widespread astonishment. Notably, it exceeded BTS’s previous highest initial chodong record of 3.37 million copies set by ‘MAP OF THE SOUL : 7’ on the very day of release, marking a new career high.
Typically, initial chodong refers to cumulative sales over one week after release, but ‘ARIRANG’ broke that record in less than a day. Considering that this album was released after a long hiatus, the rapid sales speed indicates not just anticipation but an immediate and massive market response translating directly into purchasing behavior.

In particular, the album surpassed 4 million cumulative sales within just three days, maintaining No.1 on the Hanteo daily chart for three consecutive days and also reaching No.1 on the weekly chart.
Album sales are also closely tied to the symbolism of the performance. Through the Gwanghwamun stage, BTS visually imprinted the meaning of their return, while Hanteo Chart’s data confirmed that this symbolism translated into actual consumption and industry metrics. If the Gwanghwamun performance created a “scene of return,” then the sales figures represent data showing how strongly that scene resonated in the market.
As a result, the success of ‘ARIRANG’ goes beyond simple commercial performance, demonstrating that BTS remains a mega group capable of mobilizing both the global fandom and the domestic album market simultaneously.
At the same time, BTS’s achievement also illustrates the current state of the K-pop album market. Even in an era dominated by streaming-based music consumption, BTS continues to show overwhelming power in physical album sales. This reflects how the K-pop industry structure, combining fandom culture, collectible consumption, global distribution networks, and album version strategies, remains highly effective.
Ultimately, the album sales of ‘ARIRANG’ go beyond the comeback of a single group, serving as a clear indicator of the scale and operating dynamics of the top-tier K-pop market.
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